Seeing Tron when it first came out in the theaters was an insane experience. You knew by word of mouth it was going to be a major step forward in special effects technology -something state of the art, like when Star Wars first exploded - and many young filmgoers, like myself, were completely blown away. I had no idea the movie was a flop until many years after the fact, and I was completely flabbergasted to learn this.
Even with the film initially tanking at the box office, it's remarkable how Tron still has a stronghold of fans after all this time, and how ahead of its time it really was. It took Hollywood many years to catch up with the marvels of computer technology, and Tron first opened the door for it, eventually paving the way for Jurassic Park and the Pixar films.
From a production standpoint, Tron was a hell of an undertaking, and the origins of the film go all the way back to the late seventies. The film's director, Steven Lisberger, had his own animation studio, Lisberger Films. A graduate of the city's School of the Museum of Fine Arts, he was creating animation regularly for networks such as ABC and PBS, but he had his eyes on a much bigger prize.
"When you have an animation studio you try to create your Mickey Mouse," Lisberger says. "It's no secret that animation studios survive by creating characters who are their actors they own, and we were a team of people in Boston who wanted to create a character."
On Lisberger's team were Roger Allers, who went on to direct The Lion King, and John Norton. Norton came up with an idea of a warrior who was made of neon. They called him Tron, but they didn't have a setting for him. Then one night Lisberger went to visit his in-laws, and everyone was crouched around the TV, playing Pong.