It is often said that the number one rule of photography is “Get the shot.” Sure, I understand the point that being at the right place with a camera in hand is more important than any technical or artistic aspect of the resulting photo. But whoever came up with that mantra never watched a cellphone video of an RC plane in flight, which often ends up looking like a housefly buzzing around a baby blue wall. Getting the shot isn't just about being at the right place, at the right time. Sometimes you need certain equipment and techniques to make the effort worthwhile.
I do not claim to be an expert RC photographer by any stretch. But I have shot enough photos and videos of tiny aircraft to know that capturing consistently good media of RC aircraft is a two man job:
A pilot who understands the lighting and positioning needs of the photographer, and has the willingness/ability to fly the model accordingly (usually low, slow, and with precision)
A photographer who understands the performance limitations of the subject model and is also comfortable tracking a small object moving in three dimensions while composing flattering shots.
I’ve often had a difficult time finding people with the skills and disposition to fill either role. Factor in weather constraints and dynamic personal schedules and it’s a wonder that any of my RC photo shoots ever panned out. So when I saw an advertisement for the SOLOSHOT 2, I immediately recognized an opportunity to fill the photographer role with a robot. I’ve now been using SOLOSHOT 2 for about two months. Although it has not completely replaced my need for a warm-blooded cameraman, it has certainly lessened my dependence.
What is a "Robot Cameraman?"
SOLOSHOT 2 (SS2) is essentially a two-part system that starts at $400. On the camera end is a motorized two-axis gimbal called the “base” that pans and tilts the attached camera so that it is always pointed at the desired subject--wherever it moves. On the subject end is a device called the “tag”. The radio signals emitted by the tag are the key to keeping the subject under the camera’s unflinching eye.
SS2 was created by surfers as a way to automatically film themselves. Like me, they often lacked someone who was able or willing to man the camera while they were out enjoying their hobby. Although the SS2 developers recognized the potential value of the system for other sports, filming RC aircraft was not on their radar. When I contacted SOLOSHOT, they told me that they were very surprised by the amount of interest they were receiving from RC flyers.
Knowing full well that I intended to use the SS2 in ways that it was never intended, SOLOHOT provided a “Camera Bundle” for me to review and experiment with. The bundle includes the base and tag previously mentioned as well as a tripod, a Camera Controller, and a Sony CX240 video camera. The Camera Controller provides an interface between the camera itself and the SS2. This opens up additional features such as automatic zooming as the subject get further away and also the ability to start/stop recording remotely via the tag.