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How To Test and Tweak Your Headphones Or Earbuds

Before you make your next purchase, here's how to test those potential earbuds and make sure you're getting what you've paid for.

Looking to buy yourself a new set of headphones and ditch those Apple earbuds for good? You're not alone. The earbuds included with your phone or player aren't quite the best in terms of quality, and a new and improved pair can make your music or games come alive. You can't just walk into your big box store and grab a new set of cans, however; just like with speakers, headphones have their own set of criteria that you should keep in mind if you're looking for the best in sound.

Before you make your next purchase, here's how to test those potential earbuds and make sure you're getting what you've paid for. 

 PC Magazine's testing shows how the iPod headphones (green) have very different signal response, even between left and right earbuds. 
PC Magazine's testing shows how the iPod headphones (green) have very different signal response, even between left and right earbuds. 
If you're looking for the absolute best experience from a new pair of earbuds of headphones, audio reproduction is an important thing to consider. Sound engineers and artists mix their audio in a very precise manner, but not all models interpret those results the same. Ideally, headphones with a flat frequency response will present a recording exactly as a it was intended, with no changes to things like treble or bass. However, most manufacturers, as PC Magazine explains it, will "color the sound, usually intentionally, in order to give the listener more bass or treble, account for modern music mixes, or create a unique sound signature." 

This isn't always a bad thing. Closed headphones, open headphones and earbuds are all constructed differently, and thus transmit sound in different ways. Altering the frequency response of a closed headphone design might make bass frequencies sound more natural, for example, which most users would probably prefer over a flat, "authentic" sound. However, it's hard to compensate for all styles and genres of music; altering the bass response might make your Modest Mouse sound great, but your Mozart, not so much.

If you're in the market for a new set of cans, there's a few ways with which you can test a model's frequency response to determine how it performs compared to other designs. In the past, we've shown you how to use Eminent Technology's Multimedia Speaker Test to evaluate the frequency response of your speakers or headphones. By loading the test files onto your portable player, you can easily determine how different models perform, identifying any potential problems along the way.

But while a frequency test is great for testing the setup and theoretical performance of a set of headphones, it's not a good real world test; after all, you'll be listening to music, not artificial tones on a daily basis. Oftentimes, the best way to test the quality of a potential purchase is to use a well-recorded song that exhibits a nice range of qualities and instruments. For example, classical pieces from well-known orchestras are often popular with many reviewers, because they demonstrate a wide range of instruments, encompassing both high to low frequencies. Jazz and classic rock albums are also popular choices.

What you won't find used are albums or songs produced more recently. Today, sound engineers often compress and squish frequencies in order to achieve the "loudest" possible sound without distortion, compromising the quality of the music in the process. In fact, if you're to compare the waveforms of two songs — one from the 70's, and one from today — you'll see what we mean. If there's no distinct frequencies left, it becomes hard to accurately use a song or album to test the frequency response of a pair of headphones.  

 Above: a song from 2010. Below: a song from 1969.
Above: a song from 2010. Below: a song from 1969.
However, there is another reason why popular music is so often used to test speakers and earbuds — familiarity. If there's a song you know like the back of your hand, from baseline to snare, you know exactly how that song should sound. Playing it on different equipment should make it easier to identify what's there, and what isn't. Perhaps there's a subtle synth that wasn't audible on your older earbuds, or a snare that isn't quite as sharp on your new cans. Watching out for all of these qualities, though subjective, can still help you identify what models sound good, and those you'd rather not buy.

With all this in mind, what sort of tests do you do when picking out a new set of headphones or earbuds? And more importantly, what are you using now? Let us know! 
 
Images via Flickr users Giandomenico Ricci and Scratchworx.

Optikalon July 19, 2010 at 2:19 p.m.
For headphones, I had a pair of Sennheiser HD280 Pros.  They had 5+ years of service until they were broken on me.  They're pretty much my reference for headphones. I also went through a pair of Sennheiser HD 530 and HD 590 until the internal connector on both went wonky.   Before that, I owned a pair of the garbage headphones pictured above on the head: Sony MDR-V700DJ.  They sounded like crap and were very uncomfortable.
 
As far as earbuds, I've been using a pair of Shure e2c since launch.  I also carry around a pair of cheapo Panasonic buds (comparable to Skull Candy) for quick and dirty listening when my cellphone's speaker just won't cut it.
iMacHunton July 19, 2010 at 2:37 p.m.
Please help me! I really cannot decide which pair of earphones I should buy for my new iPhone 4. I've had a look at Sennhieser earphones, like the CX300 model, as well as some way more expensive phones from Shure. Does anybody know the best pair of in-ear headphones that I can buy for my iPhone?
kyledandersonon July 19, 2010 at 2:44 p.m.
The headphones that came with my Zune are my earbuds of choice.
Joeston July 19, 2010 at 2:45 p.m.
I use a pair of Sony MDR-V150's. 
 
  http://www.sonystyle.com/webapp/wcs/stores/servlet/ProductDisplay?catalogId=10551&storeId=10151&langId=-1&productId=11035219 
 
I bought them at Best Buy 6 months ago for $25. They're very good for the price, but they don't compare to my old AKG K66's. Those were the best headphones I ever had until they broke. 
jasonefmonkon July 19, 2010 at 2:52 p.m.
Good little read, although I'm not sure what I'm looking at with the waveform comparison. 
I think it's important to note how much better things sound when you use properly encoded files. Higher bit rates! 256kbps should be your minimum, but 320kbps or a lossless format is best. Also AAC is widely known to sound better at lower bit rates than MP3.
 
For day to day I use Shure SE210s with the Music Phone Adapter on my iPhone. Great sound isolation with the flange tips, and sound really wonderful for their small size. I have a pair of Bose Around-Ear Headphones when I'm more stationary, clearer and fuller sound than the buds.
buckyon July 19, 2010 at 3:34 p.m.
I have a pair of Audio-Technica ATH-M30's right now, but they are pretty much nearing the end of their life span. I'll probably upgrade to some HD 280 Pro's. I'm always on the lookout for some kickin' headphones because of this damned audiophile lifestyle. 
HeadNodShyon July 19, 2010 at 3:47 p.m.
@Optikal: How do you like the  Shure e2c? I've been looking for a good pair of earbuds for a while with not much success so far. 
 
I recently had a pair of Tritton AX51 Pro but after only a month of use they broke and I've been trying to get a replacement ever since. While they we're working they sounded great and they we're very comfortable, but I'm getting pretty reluctant in getting that replacement and might simply get a refund from my credit card company and shop somewhere else if they don't get back to me by next week.
AndyBon July 19, 2010 at 4:12 p.m.
Aggressive limiting or compression can effect the tonal sounds of certain instruments and lower the range between the loudest and quietest perceivable sounds but, I think it is used effectively in many cases. The loudness problem of music, I think, is one people like to bring up, but I don't think its too bad.
nicorcanoon July 19, 2010 at 4:16 p.m.
I have some shure se420's that I absolutely love. They are noise isolating and so I use them at work and they are really durable as well. Since they are noise isolating I have began keeping the volume lower on my music which is helping my ears in the long run. They don't have extra bass or anything but I think bass is over rated for headphones.
ebritton July 19, 2010 at 4:36 p.m.
@iMacHunt: I am currently using CX500 which is pretty much CX300 (400 actually but they are very close) with a volume control. they are great and affordable headphones. As there isn't a great price difference i would defiantly recommend the CX400 but you wont be disappointed with the 300. 
 
As for more expensive cans. I use some over ear ones at home but as the CX's just get shoved in and out my pocket/ bag all day i tend not to spend too much on portable music headphones as they are often replaced. But if you have money to burn go for those higher end in ear phones. You will notice the difference but it isn't so great with portable music players that it's worth it. 
ehsanon July 19, 2010 at 5:02 p.m.
 Im looking at the dre beats or the qc 15s. good choice? or should i really look at seinheisser?    
rmasonb1on July 19, 2010 at 5:17 p.m.
For most of my listening, I use either my portable Audio Technica ATH-ES7s or my Sennheiser HD201s. The Audio Technica's sound better but are a little uncomfortable if worn for several hours but are a great pair of cans. I usually keep my Sennheisers at my desk. For portable in-ears, I used to use VMODA Vibes, but abused them a little too much and I am in the market for some new in-ears, probably Etymotic ER4-Ps. I also occasionally use a pair of Grado SR-60i, but since they are open I only use them if it is really quiet (they sound amazing). Unfortunately I do not yet have an external DAC but am looking to get one.
Arjunaon July 19, 2010 at 7:08 p.m.
This article was featured on Lifehacker.  Tested's goin' big time!  :)
will staff on July 19, 2010 at 7:22 p.m.
@ehsan: I haven't personally tested them, but typically, the Monster headphones, which the Beats line is part of, are reviewed poorly. 
zackon July 19, 2010 at 7:24 p.m.
I'm content with my Sennheiser HD457 for everything. A friend insisted I try SkullCandy. I was very disappointed with the performance and quality of bass tones.
brerrityon July 19, 2010 at 7:37 p.m.
what headphones are these?
mastabootwreckaon July 19, 2010 at 7:41 p.m.
I have a pair of Sennheiser HD580s that I've owned since 2000.  I run these through a Starving Student Mini Millet Tube Amplifier that I bought from Whiplash Audio.  The Sennheisers are open air headphones, so I use these at home.  For portability I also own 2 IEMs, which are Etymotics ER-4S and my latest purchase, which are the Ultimate Ears TripleFi 10 Vi.   I have the ER-4S in storage as they definitely require a portable amp or desktop amp to sound good.  My TripleFi headphones are currently my favorites at this time.  The TripleFi's have 3 drivers per ear, handling highs, mids, and lows individually and comes with a passive crossover to separate these frequencies.  A good comparison with this style of headphone would be the Shure SE530s or Westone 3s.  Probably the best headphones I've ever owned and they don't need an amp, which is a plus.  
ehsanon July 19, 2010 at 7:57 p.m.
@brerrity: Monster Dr. Dre Beats, studio edition
DrWhaton July 19, 2010 at 8:18 p.m.
I got a pair of Sony MDR-7506 headphones a couple of years ago for $100-something. I've replaced the earpads once, and they sound just as crisp as when I got them, even though I am not the nicest person in the world to my equipment. I think the thing that really got me when I listened to my music collection with them for the first time was the clarity of the highs. Being able to pick out a subtle high-hat on one of your favourite tracks that you didn't even know was there before really is something, and it makes the music so much richer. 
 
Unfortunately, it also spoils you... but that's the price of knowledge. 
 
That compression graphic really is amazing. There is still music in 2010 that isn't compressed all to fuck, but it isn't pop. It sucks that the labels think it's necessary, it just makes things mushier.
Scrawnto is online on July 19, 2010 at 10:59 p.m.
I'm rocking a pair of Grado SR 225s that I bought about a year and a half ago. I upgraded from a pair of Grado SR 60s which were pretty amazing for their price. Grado is pretty much the way to go if you like crunchy synths or rock.  
 
If you want something a little smoother, you might go with something else, but I like to hear as much detail as I can in the stuff I listen to. More than once, I've been confused after hearing a knock on a door in a video thinking that it came from somewhere in the room.
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