It will make a great question on a game show one day: What never-released movie had ambitions to be over ten hours long, star Mick Jagger and Orson Welles, feature a screenplay by the writer of Alien, and production design by H.R. Giger? Jodorowsky’s Dune of course, and the recent documentary on this unmade epic is a remarkable effort--probably the best movie about an unmade movie I've seen yet.
All filmmakers have dream projects that for one reason or another, never get made, and Dune was a real heartbreaker for writer Dan O’Bannon. He eventually rebounded with Alien, and brought the late Giger along with him to be the production designer. The rest, as you know, is sci-fi history, as Giger's designs for the creature and sets revolutionized the monster-movie genre. As Ridley Scott said in a statement after Giger's recent passing, the swiss surrealist was “a real artist and great eccentric, a true original, but above all he was a really nice man.”
Most people know Giger’s work from Alien, yet he created a large body of work in his lifetime. Whether you know the name or not, his artwork is unmistakable and unforgettable. It's art that you can both fall in love with and get terrified by at the same time. Giger was a fearless artist who looked deep into the abyss, and found it a great landscape to capture in his work.
We asked Frank Pavich, the director of Jodorowsky’s Dune, how important he felt Giger’s work was to the history of sci-fi. “I think he’s incredibly important,” Pavich tells us. “Let’s say we take the timeline of films, and let’s say we remove Alien from the timeline. There were so many films that directly or indirectly took influence from that film. If you compare Star Wars and films before that to the aesthetic of Alien, they’re completely different. Alien is, as he put it, a biological mess. It’s dirty, it’s messy, it’s gross, it’s disgusting, and I don’t think science fiction had that kind of horror. I think he really created that fear in us.”